iuventus said:
Urban_Tribesman said:If you think a band are taking you for granted, you get a bit pissy !
No, I don't.
Pet said:I>As a matter of fact, I didn't book to see Goldfrapp in Greenwich because I thought the ticket prices were taking the piss. Another aspect of the same thing, maybe.
That first Black Sabbath gig I went to in 1976 was £2, as was the AC/DC gig a year later. i still have these ticket stubs ! Another little obsession of mine. America is a bit of a pain I have found if you are buying from abroad. Both of the Muse/U2 gigs we had to buy through fan resale sites. Have to say both went without a hitch but why could I not buy them from the venue or through someone like Ticketmaster? Muse and U2 are always good at presales though. I am signed up with both their website/fan sites. Some interesting comparrisons back to the way Goldfrapp do this. Both of the others really support their fans heavily. U2 produce unique discs and downloads that are only available to fans who are signed up. Their way of keeping you locked in and interested. And don't get me started on how much better their merchandising is. Very professional !ping said:I think ticket prices in general have gone up over the last few years, it's been a long time since I got into a gig for £2, the first time I went to reading festival I drove down that day and paid £20 on the gate. I don't think the ticket prices are necessarily dictated by the band themselves, the venue will surely be playing a big part in costing the tickets. (All the bloody fees you pay on top of the ticket price piss me off.) in the case of the Greenwich gig Goldfrapp are the cheapest ticket of the weekend, I think the price is reflecting the venue/promoters desire to make it appear like a prestige event. Also... Totally agree that if people didn't buy the touted tickets the trade would collapse, but they're preying on people's passions aren't they? Bastards.
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