It's the only upbeat song on the album. (Tempo wise it had the most BPM or is the most danceable so to say).
It has a very raw stomping beat in the middle section. Soaring loud vocals in the chorus.
There are also prominent synths in it. It's very Goldfrapp but the odd one out on the album, but not odd enough to not fit the narrative as a whole. It has it's proper place in the line up of songs.
The beat, at the end, ends with a marching-like sound. The middle also has a superb vocalscape by Alison overlapping her own vocals with extra reverbs and echoes that are epic.
Thea is very radio friendly and very single friendly and very commercially friendly. It's powerful.
But it's a great song. It's very 7th Tree for me. I love the beat when it sets in fully in the second verse.
It has a really good build up and flow towards a lower energy ending.
I'm doing pretty well waiting for this album, but I think if Stranger did a description like that for every other track on the album I probably wouldn't make it to next week :P
My....that was a very clear and wonderfully expressive description Stranger! Like the sound of that indeed!!!
'' Sometimes I think I've felt everything I'm ever going to feel and from here on out I'm not going to feel anything new, just lesser versions of what I've already felt ''
Don't pin me down on these lyrics because I'm not good at transcribing them and Alison has a way of singing them through her nose, but somewhere in there I SWEAR I hear her sing, "wanted you gone, wanted you dead"
“Beware of artists. They mix with all classes of society and are therefore most dangerous." — Queen Victoria