Dreeke said:I can actually think of a reason the press got it this early.
To me it's very convenient to prepare properly for an interview.
I hate it when I get to listen to an album just days before an interview takes place.
But why do we need interviews before the release? In the 80's the interviews were all done on the week of release or after.
I do get your point. Artists work on a world market so they have a 'lot' to do in terms of interviews/promotion if they want to make money (NB: If you just want to release music you don't have to leave you bedroom in this day an age). But I just don't understand the industries innocence to how digital technology and the internet works. Unless we lock down the net down like China we ain't going to stop it.
Michael said:Hi, I'm Michael. Been lurking the forum for quite a while now but finally decided to join to discuss my favourite band Goldfrapp! I actually only discovered the duo last September but I've been hooked on them since. I haven't heard the rest of the album but if Drew is anything to go by, I think Tales Of Us could be their best album yet!
ickygerm said:i'm pretty sure that's actually done, promos are watermarked somehow?
rewak said:Yes it's called watermarking, t
Whickwithy said:Excellent! I love it. That should intimidate anyone who's livelihood depends on it. You know, I suggested the same idea to Adobe for proprietary documents. It would be soooo easy to do and ,yet....
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